San Francisco: Bradley & Rulofson, (n. d.). Ca 1880. Albumen bust portrait of Sanger, looking to her right. Grey mount, imprint at bottom, under image; elaborate publisher imprint to verso. Image: 5-7/8" x 4"; mount: 6-1/2" x 4-1/8". Housed in an archival mylar sleeve. Bit of yellowing to photograph, with small chip to upper right corner, otherwise good contrast & tonality, overall Very Good. Mount with minor wear & soiling, Very Good. Item #49993
"Rachel Mary Sanger made her professional debut in London at the 1865 opening of the Bijou Theatre (Highbury) in the title role of a burlesque of Ernani. She later appeared in two Covent Garden pantomimes (Aladdin and The Forty Thieves), and in succeeding years took a number of important parts at the St. James's, Princess's, Gaiety, Olympic, Globe, and Adelphi Theatres, as well as on tour.
Her first appearance under D'Oyly Carte management came in 1876, when from January until March of that year he appeared first as Malvina, then as Valentine in The Duke's Daughter at the Royalty, Globe, and Charing Cross Theatres. Carte was joint manager with George Dolby for Selina Dolaro's Company.
In 1878 she played the leading role in Diplunacy, a burlesque at the Strand, and in 1879 she was engaged at the Gaiety Theatre, Dublin, where she created the part of Annie in a play called Pair o' Wings. She then made her way to America, appearing first at the Corinthian Academy of Music, Rochester, New York, as Princess Zeolide in W. S. Gilbert's The Palace of Truth in September 1879. She later performed at Haverley's Brooklyn Theatre in November 1879 as Minnie Symperson in Gilbert's Engaged, before making her Manhattan debut in January 1880 at the Park Theatre in a Gilbert double-bill, as the Marchioness of Market Harborough in The Wedding March and Jenny Northcott in Sweethearts. In 1880 she appeared in San Francisco as Mabel in a Carte-sanctioned production of The Pirates of Penzance with Charles Locke's Pacific Coast Company.
‘In April and May 1881 Miss Sanger appeared as Arabella Lane in Stephens & Solomon's Billee Taylor with R. D'Oyly Carte and Edward E. Rice's Second American Billee Taylor Company, and in May she transferred to the First Company, switching assignments with Vernona Jarbeau, and playing Arabella in Boston and New York until June 1881.
‘She had a few more roles on the New York stage in 1881-82, but was forced to retire shortly thereafter. She was just 34 when she died in New York in 1884.’" [D'Oyle Carte website].