New York: Horace Liveright, (1929). x, , 456 pp. List of Editions pp. 427 - 432. Index at rear. 8vo. 8-3/4" x 5-7/8". Black cloth binding with gilt spine stamping. Yellow decorative eps. Green dust jacket. VG (some modest shelfwear/period poi to half-title page)/Abt VG (backstrip quite sun-tanned/extremity wear, with largish piece lacking from rear panel lower left corner). Item #49051
The Book of the Courtier, by Baldassare Castiglione, is a lengthy philosophical dialogue on the topic of what constitutes an ideal courtier or (in the third chapter) court lady, worthy to befriend and advise a Prince or political leader. The book quickly became enormously popular and was assimilated by its readers into the genre of prescriptive courtesy books or books of manners, dealing with issues of etiquette, self-presentation, and morals, particularly at princely, or royal courts, books such as Giovanni Della Casa's Galateo (1558) and Stefano Guazzo's The civil conversation (1574). The Book of the Courtier was much more than that, however, having the character of a drama, an open-ended philosophical discussion, and an essay. It has also been seen as a veiled political allegory. It offers a poignantly nostalgic evocation of an idealized milieu — that of the small courts of the High Renaissance which were vanishing in the Italian Wars — with a reverent tribute to the friends of Castiglione's youth, in particular the chastely married Duchess Elisabetta Gonzaga of Urbino, to whom Castiglione had addressed a sequence of Platonic sonnets and who died in 1526. The work was composed over the course of twenty years, beginning in 1508, and first published in 1528 by the Aldine Press in Venice just before the author's death." [Wiki].